CAN ACADEMIC RESEARCH DO REPARATION? HOW?
São Paulo School of Advanced Science in
UNIVERSITY, MEMORY AND REPARATION
University of São Paulo, Brazil, July 1st-11th 2025
CONTEXT
Universities around the world have been fundamental tools for social development, for safeguarding collections and archives, for promoting humanist and democratic values. On the other hand, universities have also been instruments of colonization, concentration of privileges and reproduction of inequalities. Like the rest of society, universities face the enormous challenge of reparation.
There is much to be repaired around us: from structural inequalities of gender, race and sexual identity to destroyed biomes and ecosystems, to communities destroyed by climate change and violence. There is also much to repair within our universities: ensuring a place for ways of life that have never been recognized, rebuilding student and faculty bodies in accordance with the ethnic, class and gender composition of society in general, opening or reopening archives from dark periods, reinterpreting collections and archives, rebuilding libraries to accommodate greater diversity. In some cases, it is necessary to promote processes of true memory and justice, publicly apologize, demarcate dates and places.
The University of São Paulo´s Provost for Inclusion and Belonging, with support from FAPESP, proposes the São Paulo School of Advanced Science in University, Memory and Reparation to address the links between academic research and reparation processes, and recognizing the inseparability of reparation and memory.
The São Paulo School of Advanced Science (ESPCA) is a FAPESP program that offers short courses on advanced topics in science and technology, contributing to the training of participants and strengthening research in the State of São Paulo and Brazil.
The School addresses the social role of the University, not only as a platform and repository for research on the themes of memory, justice, and reparation but also as a relevant institution in these processes. The school stresses the debate on the role of the university as a safeguard of archives and collections, as an entity that interprets and makes available places of memory to society, as an institution that can promote (or obstruct) the right to memory, an institution that can carry social reparation initiatives.
Organized by:
Provost for Inclusion and Belonging – USP and FAPESP
With partnerships of: USP Agency for National and International Cooperation – AUCANI-USP; Biblioteca Brasiliana Guita e José Mindlin; Centro Maria Antônia; Centro de Preservação Cultural USP; Museu Paulista.
AUDIENCE
The students must be enrolled in undergraduate or graduate programs in Brazil or abroad, being potential candidates for master’s, doctorate or post-doctoral programs in higher education and research institutes in the State of Sao Paulo. Recently graduated PhDs can also be accepted. Students from every field are welcome
We invite researchers from all over the world and from all disciplines to submit proposals to participate in the program. We expect participants whose research projects relate to the concepts of memory and reparation, and whose goal is to contribute to the proposal, promotion and acceleration of reparation processes.
Fifty participants from outside Brazil will be selected, 20 from the State of São Paulo and 30 from other Brazilian states. The selection will be based on the candidate’s letter of interest and curriculum to be submitted for selection, respecting regional diversity and criteria of gender and ethnic-racial equity.
FAPESP will pay for the selected participants: airfare (economy class) or ground transportation costs; daily allowances during the course; health insurance. Some of the meals will also be provided free of charge in the University Restaurant.
PROGRAM
The School’s program will have three main components:
– In-depth discussion of the research projects presented by participants, by experts from Brazil and other countries, and by other course participants. Each participant will submit a poster with a summary of their research. The poster will be reviewed during the course with the supervision of the experts in charge, and after the course;
– Lectures by international experts on the themes of memory and reparation. Confirmed professors: Aline Montenegro (Museu Paulista); Ana Claudia Veiga de Castro (FAUD-USP/Centro Maria Antônia); Ana Lúcia Duarte Lanna (FAUD-USP / PRIP-USP); Ana Paula Brito (REBRAPESC); Deborah Neves (UNIFESP); Flávia Brito do Nascimento (FAUD-USP / CPC-USP); Gabi Dolff Bonekamper (TU Berlim); Leslé Honoré (Urban Gateways, Chicago); Mandy Sanger (District Six Museum Cape Town); Paulo Tavares (UnB); Renato Cymbalista (FAUD-USP / PRIP-USP).
– Visits to institutions and places of memory in São Paulo, museums, sites of memory and cultural centers linked to USP.
The program will ensure time for interaction among participants. Aiming at the exchange of experiences and the construction of possibilities for collective work.
The School activities will be held in English, with simultaneous translation available in specific sessions. Check out the full program here.
FACULTY
Aline Montenegro Magalhães (Museu Paulista)
Professor at the Museu Paulista of USP after working for over 20 years as a historian at the Museu Histórico Nacional (IBRAM). Bachelor’s and licentiate degrees in History from UFRJ (2000), master’s and doctorate in Social History from UFRJ (2004 and 2009). She was a CNPq Senior Postdoctoral Fellow between 2018 and 2020, developing the research project “Blacks in the Museu Histórico Nacional: for a decolonized collection. 1922-2018”. She has experience in the area of History, with an emphasis on Writing History in museums and heritage, working mainly on the following themes: collecting, Museu Histórico Nacional and material heritage of the African Brazil.
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Aline Montenegro Magalhães (Museu Paulista)
Professor at the Museu Paulista of USP after working for over 20 years as a historian at the Museu Histórico Nacional (IBRAM). Bachelor’s and licentiate degrees in History from UFRJ (2000), master’s and doctorate in Social History from UFRJ (2004 and 2009). She was a CNPq Senior Postdoctoral Fellow between 2018 and 2020, developing the research project “Blacks in the Museu Histórico Nacional: for a decolonized collection. 1922-2018”. She has experience in the area of History, with an emphasis on Writing History in museums and heritage, working mainly on the following themes: collecting, Museu Histórico Nacional and material heritage of the African Brazil.
Ana Claudia Veiga de Castro (FAUD-USP/Centro Maria Antônia)
She is a professor at the School of Architecture and Urbanism of the University of São Paulo (FAU USP), where she graduated (1997), completed her master’s degree (2005) and doctorate (2013), with a research internship at Columbia University (2011) and co-tutorship at the Universidad Nacional de Quilmes/ Argentina. She is a member of lab_outros (Laboratory for Other Urbanisms/ USP), is vice-leader of the Research Group Culture, Architecture and City in Latin America (CNPq/ USP) and a member of the Group Archives, sources and narratives: between city, architecture and design (CNPq/ USP) and of the Group Chronology of Urban Thought. He develops the research projects Cities and ideas: Latin America as a problem for the history of the city and urbanism, 1940-1970 (USP/Fapesp) and Experiencing the metropolis: inequality, rivalries and sociability in the city of São Paulo (USP/IRD France).
Ana Lúcia Duarte Lanna (FAUD-USP / PRIP-USP)
Provost for Inclusion and Belonging at the University of São Paulo, coordinator of ESPCA. Social Scientist from UFMG. Master in History from the State University of Campinas. PhD in Social History from USP. Post-doctorate from the University of Paris IV-Sorbonne. She is a full professor at the School of Architecture at USP. She has experience in the area of History, with an emphasis on Brazilian History, working mainly on the following themes: history of cities, cultural heritage, architecture, urban history and social history. She is a CNPq productivity scholarship holder. Among her activities, the following are worth mentioning: Director of the Institute of Brazilian Studies at USP (2006/2010); Head of the Department of History of Architecture at FAUUSP. Coordinator of the NAPSP Research Support Center São Paulo: city, space, memory (until 2016), president of the Council for the Defense of Historical, Archaeological, Artistic and Tourist Heritage of the State of São Paulo (2013/2015) and director of FAUUSP (2018/2022).
Ana Paula Brito (REBRAPESC e FAUD/USP/FAPESP)
Daughter of Dona Vanda, mother of Ana Clara, from Paraíba. Postdoctoral fellow at FAU/USP with a FAPESP scholarship and coordinator of REBRAPESC. Historian from UFPB and Museologist from UFRGS. Master in Social Memory and Cultural Heritage from UFPel with an internship at the University of Buenos Aires. Master in Museology from UFRGS. PhD in History from PUC/SP with an internship at the University of Barcelona. Works with historical research and cultural production, especially in processes of memorialization, patrimonialization and musealization of memories of violence based on the assumptions of the Museology of Traumatic Memories. Has professional internships in museums about dictatorships in Argentina, Brazil and Chile. In Brazilian cultural production, her work in coordinating research and consulting at Sites of Memory and Consciousness in Paraíba and São Paulo stands out. In 2018, she founded the Brazilian Network of Researchers of Memory and Consciousness Sites-REBRAPESC and has coordinated it ever since. She is the creator and presenter of the podcast “Memoria para que” (Memoria para que), the result of her participation as a professor at the Calas Center at UFMG in 2023.
Deborah Neves (UNIFESP)
Coordinator of the Interinstitutional Working Group Memorial Doi-Codi since 2018. Member of ICOM-Brazil. Postdoctoral researcher at Unifesp and Fapesp scholarship holder. PhD in History from Unicamp (2020), Master in Social History from the University of São Paulo (2014), specialist in Research in Recent History (Caicyt-Argentina, 2012), specialist in Cultural Heritage Management from UNIFAI (2011), Bachelor and Licentiate in History from the University of São Paulo (2008). She worked as a historian at the Historical Heritage Preservation Unit of the State Secretariat of Culture of São Paulo, linked to Condephaat (2010-2023).
Fernanda Mendonça Pitta (MAC-USP)
Professor of the Research Division in Art, Theory and Criticism of the Museum of Contemporary Art of the University of São Paulo. She is the coordinator of the Brazil team of the research project Decay without mourning, future thinking heritage practices (Riksbankens Jubileumsfond GI21-0001, Pinacoteca and MAC-USP). Member of the Brazilian Committee for the History of Art (CBHA). She works in the area of art history, with an emphasis on the historiography of art in Brazil.
An art historian, she was a senior curator at the Pinacoteca de São Paulo between 2014 and 2022. Among other projects, she curated the exhibitions Trabalho de artista: imagem e autoimagem (1826-1929), Ninguém terquei Acreditado: Alvim Côrrea e 10 artistas contemporâneos and Eleonore Koch: espaço aberta. She worked as curatorial coordinator for Véxoa: nós sabes, curated by Naine Terena, and as consultant for the exhibition Raio-que-o-parta: fictions of the modern in Brazil.
Flávia Brito do Nascimento (FAUD-USP / CPC-USP)
Full Professor at the School of Architecture and Urbanism of the University of São Paulo, FAUUSP. Director of the Center for Cultural Preservation of USP – Casa de Dona Yayá and Alternate Advisor on the Advisory Board of Iphan. He holds a degree in Historian from the Fluminense Federal University (UFF, 1995), Architect and Urban Planner from the Federal University of Rio de Janeiro (UFRJ, 2000), and holds a Master’s degree (2004) and a PhD in Architecture and Urbanism from USP (2011). She completed her postdoctoral studies at the Université Paris 1 Panthéon-Sorbonne (2019-2020). She was an architect at Iphan between 2006 and 2013, Director of Research at Inepac – State Institute of Cultural Heritage of Rio de Janeiro, and advisor to Condephaat and Conpresp. She has developed several technical studies in the area of heritage, among which the Cultural Landscape of the Ribeira Valley and the listing of the Historic Center of Iguape and the assets of Japanese immigration in Registro stand out. She is a CNPq Productivity Scholar, currently developing research on women’s house museums.
Gabi Dolff-Bonekämper (TU Berlim)
Art historian, professor of monument preservation and urban cultural heritage at the TU Berlin from 2002 to 2021. From 1988 to 2002 monument conservator in Berlin, actively and contentiously involved in debates on the assessment and preservation of post-war modernist monuments and buildings in East and West Berlin. From 2001/02 fellow at the Getty Conservation Institute in Los Angeles. From 2000 to 2011 member of the expert group on the common European cultural heritage at the Council of Europe. Spokesperson 2016-2021, since 2021 continued to be a member of the DFG Research Training Group “Identity and Heritage”. Main areas of work: value of monuments and cultural heritage theory, historical policy, memory research, architecture and the history of urban development in post-war modernity in Europe.
Joana Mello
Professor of in the Department of History of Architecture and Project Aesthetics, in the discipline group History and Theories of Architecture and in the Postgraduate Program in Architecture and Urbanism at the School of Architecture and Urbanism of the University of São Paulo – FAUUSP. He holds a degree in Architecture and Urbanism from FAUUSP (1997), a master’s degree in Architecture and Urbanism from the Department of Architecture and Urbanism of the School of Engineering of São Carlos of the University of São Paulo (2005), a PhD in History and Foundations of Architecture and Urbanism from FAUUSP (2010) and a post-doctorate from the Institute of Philosophy and Human Sciences of Unicamp (2015). He leads the research group Archives, sources and narratives: between city, architecture and design (CNPq). CNPq Research Productivity Scholarship / PQ -2 (2020-2023) with experience in the area of History and Foundations of modern Architecture and Urbanism.
Leslé Honoré (Urban Gateways, Chicago)
Blaxican poet, activist, and author of Fist & Fire, a collection of powerful, unflinching poems that confront social justice issues through the lens of real human lives and voices, and delve into the flames of love within the context of a relationship. In her poetry and life, she works to empower young people to find their voices through the arts and inspire people to speak up in the gaps that social, economic, and racial inequities create. She further honed her craft at Xavier University of Louisiana, where she studied English Literature and Spanish. She was a featured speaker at the inaugural Tedx Grand Boulevard in 2020. She has spoken and read from her work at Obama Foundation conventions and events, the 2020 Watermark Innovation Conference, the Elevated Chicago Symposium, the City of Chicago’s 19th Amendment Celebration, Latino Progresando’s 2020 MEXtalks, the University of Illinois Chicago’s Speaking Anarcha’s Name, the Mercantile Library (Cincinnati), and events such as the Silver Room Block Party and National Period Day. She has been featured in The New York Times, the Chicago Tribune, WBEZ (NPR), The Kendall Moore Show/WVON, and every major Chicago TV news channel.
Leo L. Hwang
Associate Dean for Inclusive Excellence and Assistant Dean of Academics in the College of Natural Sciences at the University of Massachusetts, Amherst. He researches participatory action and asset-based community development as a model for improving how we engage in diversity, equity, and inclusion work. He earned his Ph.D. from the University of Massachusetts in Geosciences with a focus on using participatory action research to better understand the diverse community economies of artists and craftspeople in Franklin County, an MFA in fiction writing from the University of Massachusetts at Amherst, and his BA in English and Fine Arts from the University of the South.
Mandy Sanger (District Six Museum Cape Town)
Head of Education at the District Six Museum, which represents one of the many urban sites of apartheid forced removals. The Museum is located in Cape Town, South Africa, a country that openly acknowledges its racially segregated past, where colonial and apartheid relations are still embedded in society. The Museum is a living space, dedicated to working with memory to support restitution. Its work involves creating anti-racism programs with a practical component to “reimagine the city” by rethinking public spaces through a humanizing pedagogy.
Paulo Tavares (UnB)
Architect and Urban Planner from the State University of Campinas (2005), master’s degree in Research Architecture from Goldsmiths College – University of London (2008) and PhD in Research in Architecture from Goldsmiths College – University of London (2015). He has a post-doctorate from FAU-USP (2017) and Goldsmiths (2019). He is the author of the books Memória da Terra (2020), Des-Habitat (2019) and Forest Law (2014). He has experience in the areas of architecture and urbanism, visual and spatial cultures, human rights, media and ecology.
Renato Cymbalista (FAUD-USP/PRIP-USP)
Architect and Urban Planner from the School of Architecture and Urban Planner of the University of São Paulo (1996), master’s degree in Urban Environmental Structures from FAU-USP (2001) and PhD in Urban Environmental Structures from FAU-USP (2006). Associate Professor at the Department of History of Architecture and Project Aesthetics at FAU-USP. President of the Pólis Institute (since 2012). Coordinator of the research group “Places of Memory and Consciousness” (USP-CNPq). Founder of the Association for Community Property, manager of the FICA and FUA funds. Director of Human Rights and Policies of Memory, Justice and Reparation at the Pro-Rectory of Inclusion and Belonging at USP (since 2022).
DEADLINES
Until January 27th 2025 – period of applications
February 20th 2025 – publication of selected applicants
February 28th 2025 – deadline for confirmation of interest and sending the necessary documents for flight reservation and health insurance
June 1st 2025 – sending of posters for discussion in the School
July 1st-11th 2025 – Realization of the School
March 2026 – publication of book
Universities around the world have been fundamental tools for social development, for safeguarding collections and archives, for promoting humanist and democratic values. On the other hand, universities have also been instruments of colonization, concentration of privileges and reproduction of inequalities. Like the rest of society, universities face the enormous challenge of reparation.
There is much to be repaired around us: from structural inequalities of gender, race and sexual identity to destroyed biomes and ecosystems, to communities destroyed by climate change and violence. There is also much to repair within our universities: ensuring a place for ways of life that have never been recognized, rebuilding student and faculty bodies in accordance with the ethnic, class and gender composition of society in general, opening or reopening archives from dark periods, reinterpreting collections and archives, rebuilding libraries to accommodate greater diversity. In some cases, it is necessary to promote processes of true memory and justice, publicly apologize, demarcate dates and places.
The University of São Paulo´s Provost for Inclusion and Belonging, with support from FAPESP, proposes the São Paulo School of Advanced Science in University, Memory and Reparation to address the links between academic research and reparation processes, and recognizing the inseparability of reparation and memory.
The São Paulo School of Advanced Science (ESPCA) is a FAPESP program that offers short courses on advanced topics in science and technology, contributing to the training of participants and strengthening research in the State of São Paulo and Brazil.
The School addresses the social role of the University, not only as a platform and repository for research on the themes of memory, justice, and reparation but also as a relevant institution in these processes. The school stresses the debate on the role of the university as a safeguard of archives and collections, as an entity that interprets and makes available places of memory to society, as an institution that can promote (or obstruct) the right to memory, an institution that can carry social reparation initiatives.
Organized by: Provost for Inclusion and Belonging – USP and FAPESP
With partnerships of: USP Agency for National and International Cooperation – AUCANI-USP; Biblioteca Brasiliana Guita e José Mindlin; Centro Maria Antônia; Centro de Preservação Cultural USP; Museu Paulista.
The students must be enrolled in undergraduate or graduate programs in Brazil or abroad, being potential candidates for master’s, doctorate or post-doctoral programs in higher education and research institutes in the State of Sao Paulo. Recently graduated PhDs can also be accepted. Students from every field are welcome
We invite researchers from all over the world and from all disciplines to submit proposals to participate in the program. We expect participants whose research projects relate to the concepts of memory and reparation, and whose goal is to contribute to the proposal, promotion and acceleration of reparation processes.
Fifty participants from outside Brazil will be selected, 20 from the State of São Paulo and 30 from other Brazilian states. The selection will be based on the candidate’s letter of interest and curriculum to be submitted for selection, respecting regional diversity and criteria of gender and ethnic-racial equity.
FAPESP will pay for the selected participants: airfare (economy class) or ground transportation costs; daily allowances during the course; health insurance. Some of the meals will also be provided free of charge in the University Restaurant.
The School’s program will have three main components:
– In-depth discussion of the research projects presented by participants, by experts from Brazil and other countries, and by other course participants. Each participant will submit a poster with a summary of their research. The poster will be reviewed during the course with the supervision of the experts in charge, and after the course;
– Lectures by international experts on the themes of memory and reparation. Confirmed professors: Aline Montenegro (Museu Paulista); Ana Claudia Veiga de Castro (FAUD-USP/Centro Maria Antônia); Ana Lúcia Duarte Lanna (FAUD-USP / PRIP-USP); Ana Paula Brito (REBRAPESC); Deborah Neves (UNIFESP); Flávia Brito do Nascimento (FAUD-USP / CPC-USP); Gabi Dolff Bonekamper (TU Berlim); Leslé Honoré (Urban Gateways, Chicago); Mandy Sanger (District Six Museum Cape Town); Paulo Tavares (UnB); Renato Cymbalista (FAUD-USP / PRIP-USP).
– Visits to institutions and places of memory in São Paulo, museums, sites of memory and cultural centers linked to USP.
The program will ensure time for interaction among participants. Aiming at the exchange of experiences and the construction of possibilities for collective work.
The School activities will be held in English, with simultaneous translation available in specific sessions. Check out the full program here.
Aline Montenegro Magalhães (Museu Paulista)
Professor at the Museu Paulista of USP after working for over 20 years as a historian at the Museu Histórico Nacional (IBRAM). Bachelor’s and licentiate degrees in History from UFRJ (2000), master’s and doctorate in Social History from UFRJ (2004 and 2009). She was a CNPq Senior Postdoctoral Fellow between 2018 and 2020, developing the research project “Blacks in the Museu Histórico Nacional: for a decolonized collection. 1922-2018”. She has experience in the area of History, with an emphasis on Writing History in museums and heritage, working mainly on the following themes: collecting, Museu Histórico Nacional and material heritage of the African Brazil.
Ana Claudia Veiga de Castro (FAUD-USP/Centro Maria Antônia)
She is a professor at the School of Architecture and Urbanism of the University of São Paulo (FAU USP), where she graduated (1997), completed her master’s degree (2005) and doctorate (2013), with a research internship at Columbia University (2011) and co-tutorship at the Universidad Nacional de Quilmes/ Argentina. She is a member of lab_outros (Laboratory for Other Urbanisms/ USP), is vice-leader of the Research Group Culture, Architecture and City in Latin America (CNPq/ USP) and a member of the Group Archives, sources and narratives: between city, architecture and design (CNPq/ USP) and of the Group Chronology of Urban Thought. He develops the research projects Cities and ideas: Latin America as a problem for the history of the city and urbanism, 1940-1970 (USP/Fapesp) and Experiencing the metropolis: inequality, rivalries and sociability in the city of São Paulo (USP/IRD France).
Ana Lúcia Duarte Lanna (FAUD-USP / PRIP-USP)
Provost for Inclusion and Belonging at the University of São Paulo, coordinator of ESPCA. Social Scientist from UFMG. Master in History from the State University of Campinas. PhD in Social History from USP. Post-doctorate from the University of Paris IV-Sorbonne. She is a full professor at the School of Architecture at USP. She has experience in the area of History, with an emphasis on Brazilian History, working mainly on the following themes: history of cities, cultural heritage, architecture, urban history and social history. She is a CNPq productivity scholarship holder. Among her activities, the following are worth mentioning: Director of the Institute of Brazilian Studies at USP (2006/2010); Head of the Department of History of Architecture at FAUUSP. Coordinator of the NAPSP Research Support Center São Paulo: city, space, memory (until 2016), president of the Council for the Defense of Historical, Archaeological, Artistic and Tourist Heritage of the State of São Paulo (2013/2015) and director of FAUUSP (2018/2022).
Ana Paula Brito (REBRAPESC e FAUD/USP/FAPESP)
Daughter of Dona Vanda, mother of Ana Clara, from Paraíba. Postdoctoral fellow at FAU/USP with a FAPESP scholarship and coordinator of REBRAPESC. Historian from UFPB and Museologist from UFRGS. Master in Social Memory and Cultural Heritage from UFPel with an internship at the University of Buenos Aires. Master in Museology from UFRGS. PhD in History from PUC/SP with an internship at the University of Barcelona. Works with historical research and cultural production, especially in processes of memorialization, patrimonialization and musealization of memories of violence based on the assumptions of the Museology of Traumatic Memories. Has professional internships in museums about dictatorships in Argentina, Brazil and Chile. In Brazilian cultural production, her work in coordinating research and consulting at Sites of Memory and Consciousness in Paraíba and São Paulo stands out. In 2018, she founded the Brazilian Network of Researchers of Memory and Consciousness Sites-REBRAPESC and has coordinated it ever since. She is the creator and presenter of the podcast “Memoria para que” (Memoria para que), the result of her participation as a professor at the Calas Center at UFMG in 2023.
Deborah Neves (UNIFESP)
Coordinator of the Interinstitutional Working Group Memorial Doi-Codi since 2018. Member of ICOM-Brazil. Postdoctoral researcher at Unifesp and Fapesp scholarship holder. PhD in History from Unicamp (2020), Master in Social History from the University of São Paulo (2014), specialist in Research in Recent History (Caicyt-Argentina, 2012), specialist in Cultural Heritage Management from UNIFAI (2011), Bachelor and Licentiate in History from the University of São Paulo (2008). She worked as a historian at the Historical Heritage Preservation Unit of the State Secretariat of Culture of São Paulo, linked to Condephaat (2010-2023).
Fernanda Mendonça Pitta (MAC-USP)
Professor of the Research Division in Art, Theory and Criticism of the Museum of Contemporary Art of the University of São Paulo. She is the coordinator of the Brazil team of the research project Decay without mourning, future thinking heritage practices (Riksbankens Jubileumsfond GI21-0001, Pinacoteca and MAC-USP). Member of the Brazilian Committee for the History of Art (CBHA). She works in the area of art history, with an emphasis on the historiography of art in Brazil.
An art historian, she was a senior curator at the Pinacoteca de São Paulo between 2014 and 2022. Among other projects, she curated the exhibitions Trabalho de artista: imagem e autoimagem (1826-1929), Ninguém terquei Acreditado: Alvim Côrrea e 10 artistas contemporâneos and Eleonore Koch: espaço aberta. She worked as curatorial coordinator for Véxoa: nós sabes, curated by Naine Terena, and as consultant for the exhibition Raio-que-o-parta: fictions of the modern in Brazil.
Flávia Brito do Nascimento (FAUD-USP / CPC-USP)
Full Professor at the School of Architecture and Urbanism of the University of São Paulo, FAUUSP. Director of the Center for Cultural Preservation of USP – Casa de Dona Yayá and Alternate Advisor on the Advisory Board of Iphan. He holds a degree in Historian from the Fluminense Federal University (UFF, 1995), Architect and Urban Planner from the Federal University of Rio de Janeiro (UFRJ, 2000), and holds a Master’s degree (2004) and a PhD in Architecture and Urbanism from USP (2011). She completed her postdoctoral studies at the Université Paris 1 Panthéon-Sorbonne (2019-2020). She was an architect at Iphan between 2006 and 2013, Director of Research at Inepac – State Institute of Cultural Heritage of Rio de Janeiro, and advisor to Condephaat and Conpresp. She has developed several technical studies in the area of heritage, among which the Cultural Landscape of the Ribeira Valley and the listing of the Historic Center of Iguape and the assets of Japanese immigration in Registro stand out. She is a CNPq Productivity Scholar, currently developing research on women’s house museums.
Gabi Dolff-Bonekämper (TU Berlim)
Art historian, professor of monument preservation and urban cultural heritage at the TU Berlin from 2002 to 2021. From 1988 to 2002 monument conservator in Berlin, actively and contentiously involved in debates on the assessment and preservation of post-war modernist monuments and buildings in East and West Berlin. From 2001/02 fellow at the Getty Conservation Institute in Los Angeles. From 2000 to 2011 member of the expert group on the common European cultural heritage at the Council of Europe. Spokesperson 2016-2021, since 2021 continued to be a member of the DFG Research Training Group “Identity and Heritage”. Main areas of work: value of monuments and cultural heritage theory, historical policy, memory research, architecture and the history of urban development in post-war modernity in Europe.
Joana Mello
He is a professor in the Department of History of Architecture and Project Aesthetics, in the discipline group History and Theories of Architecture and in the Postgraduate Program in Architecture and Urbanism at the School of Architecture and Urbanism of the University of São Paulo – FAUUSP. He holds a degree in Architecture and Urbanism from FAUUSP (1997), a master’s degree in Architecture and Urbanism from the Department of Architecture and Urbanism of the School of Engineering of São Carlos of the University of São Paulo (2005), a PhD in History and Foundations of Architecture and Urbanism from FAUUSP (2010) and a post-doctorate from the Institute of Philosophy and Human Sciences of Unicamp (2015). He leads the research group Archives, sources and narratives: between city, architecture and design (CNPq). CNPq Research Productivity Scholarship / PQ -2 (2020-2023) with experience in the area of History and Foundations of modern Architecture and Urbanism.
Leslé Honoré (Urban Gateways, Chicago)
Blaxican poet, activist, and author of Fist & Fire, a collection of powerful, unflinching poems that confront social justice issues through the lens of real human lives and voices, and delve into the flames of love within the context of a relationship. In her poetry and life, she works to empower young people to find their voices through the arts and inspire people to speak up in the gaps that social, economic, and racial inequities create. She further honed her craft at Xavier University of Louisiana, where she studied English Literature and Spanish. She was a featured speaker at the inaugural Tedx Grand Boulevard in 2020. She has spoken and read from her work at Obama Foundation conventions and events, the 2020 Watermark Innovation Conference, the Elevated Chicago Symposium, the City of Chicago’s 19th Amendment Celebration, Latino Progresando’s 2020 MEXtalks, the University of Illinois Chicago’s Speaking Anarcha’s Name, the Mercantile Library (Cincinnati), and events such as the Silver Room Block Party and National Period Day. She has been featured in The New York Times, the Chicago Tribune, WBEZ (NPR), The Kendall Moore Show/WVON, and every major Chicago TV news channel.
Leo L. Hwang
Associate Dean for Inclusive Excellence and Assistant Dean of Academics in the College of Natural Sciences at the University of Massachusetts, Amherst. He researches participatory action and asset-based community development as a model for improving how we engage in diversity, equity, and inclusion work. He earned his Ph.D. from the University of Massachusetts in Geosciences with a focus on using participatory action research to better understand the diverse community economies of artists and craftspeople in Franklin County, an MFA in fiction writing from the University of Massachusetts at Amherst, and his BA in English and Fine Arts from the University of the South.
Mandy Sanger (District Six Museum Cape Town)
Head of Education at the District Six Museum, which represents one of the many urban sites of apartheid forced removals. The Museum is located in Cape Town, South Africa, a country that openly acknowledges its racially segregated past, where colonial and apartheid relations are still embedded in society. The Museum is a living space, dedicated to working with memory to support restitution. Its work involves creating anti-racism programs with a practical component to “reimagine the city” by rethinking public spaces through a humanizing pedagogy.
Paulo Tavares (UnB)
Architect and Urban Planner from the State University of Campinas (2005), master’s degree in Research Architecture from Goldsmiths College – University of London (2008) and PhD in Research in Architecture from Goldsmiths College – University of London (2015). He has a post-doctorate from FAU-USP (2017) and Goldsmiths (2019). He is the author of the books Memória da Terra (2020), Des-Habitat (2019) and Forest Law (2014). He has experience in the areas of architecture and urbanism, visual and spatial cultures, human rights, media and ecology.
Renato Cymbalista (FAUD-USP/PRIP-USP)
Architect and Urban Planner from the School of Architecture and Urban Planner of the University of São Paulo (1996), master’s degree in Urban Environmental Structures from FAU-USP (2001) and PhD in Urban Environmental Structures from FAU-USP (2006). Associate Professor at the Department of History of Architecture and Project Aesthetics at FAU-USP. President of the Pólis Institute (since 2012). Coordinator of the research group “Places of Memory and Consciousness” (USP-CNPq). Founder of the Association for Community Property, manager of the FICA and FUA funds. Director of Human Rights and Policies of Memory, Justice and Reparation at the Pro-Rectory of Inclusion and Belonging at USP (since 2022).
January 5th 2025 to January 27th 2025 – period of applications
February 5th 2025 – publication of selected applicants
February 10th 2025 – deadline for confirmation of interest and sending the necessary documents for flight reservation and health insurance
June 1st 2025 – sending of posters for discussion in the School
July 1st-11th 2025 – Realization of the School
March 2026 – publication of book
Aline Montenegro Magalhães (Museu Paulista)
Docente do Museu Paulista da USP após atuar por mais de 20 anos como historiadora no Museu Histórico Nacional (IBRAM). Bacharela e licenciada em História pela UFRJ (2000), mestre e doutora em História Social pela UFRJ (2004 e 2009). Foi bolsista pós-doutorado Sênior do CNPq, entre 2018 e 2020, desenvolvendo o projeto de pesquisa “Os negros no Museu Histórico Nacional: por uma coleção descolonizada. 1922-2018”. Tem experiência na área de História, com ênfase em Escrita da História nos museus e no patrimônio, atuando principalmente nos seguintes temas: colecionismo, Museu Histórico Nacional e heranças materiais da diáspora africana no Brasil.
Ana Claudia Veiga de Castro (FAUD-USP/Centro Maria Antônia)
É professora da Faculdade de Arquitetura e Urbanismo da Universidade de São Paulo (FAU USP), onde se graduou (1997), fez mestrado (2005) e doutorado (2013), com estágio de pesquisa na Columbia University (2011) e co-tutela pela Universidad Nacional de Quilmes/ Argentina. É membro do lab_outros (Laboratório para Outros Urbanismos/ USP), é vice-líder do Grupo de Pesquisa Cultura, Arquitetura e Cidade na América Latina (CNPq/ USP) e membro do Grupo Arquivos, fontes e narrativas: entre cidade, arquitetura e design (CNPq/ USP) e do Grupo Cronologia do Pensamento Urbanístico. Desenvolve os projetos de pesquisa As cidades e as ideias: a América Latina como problema para a história da cidade e do urbanismo, 1940-1970 (USP/Fapesp) e Expérimenter la métropole: inégalités, rivalités et sociabilités dans la ville de São Paulo (USP/ IRD France).
Ana Lúcia Duarte Lanna (FAUD-USP / PRIP-USP)
Pró-reitora de Inclusão e Pertencimento da Universidade de São Paulo, coordenadora da ESPCA. Cientista Social pela UFMG. Mestra em História pela Universidade Estadual de Campinas. Doutora em História Social pela USP. Pós Doutora pela Universidade Paris IV- Sorbonne. É professora titular da Faculdade de Arquitetura da USP. Tem experiência na área de História, com ênfase em História do Brasil, atuando principalmente nos seguintes temas: história das cidades, patrimônio cultural, arquitetura, história urbana e história social. É bolsista produtividade do CNPq. E entre suas atuações, cabe destaque: Diretora do Instituto de Estudos Brasileiros da USP (2006/2010); Chefia do Departamento de História da Arquitetura da FAUUSP. Coordenadora do Núcleo Apoio à Pesquisa NAPSP São Paulo: cidade, espaço, memória (até 2016), presidência do Conselho de Defesa do Patrimônio Histórico, Arqueológico, Artístico e Turístico do Estado de São Paulo (2013/2015) e diretora da FAUUSP (2018/2022).
Ana Paula Brito (REBRAPESC e FAUD/USP/FAPESP)
Filha de Dona Vanda, mãe da Ana Clara, paraibana. Pós-doutoranda na FAU/USP com bolsa FAPESP e coordenadora da REBRAPESC. Historiadora pela UFPB e Museóloga pela UFRGS. Mestra em Memória Social e Patrimônio Cultural pela UFPel com estágio na Universidad de Buenos Aires. Mestra em Museologia pela UFRGS. Doutora em História pela PUC/SP com estágio na Universidad de Barcelona. Atua com pesquisa histórica e produção cultural, especialmente em processos de memorialização, patrimonialização e musealização de memórias de violência a partir dos pressupostos da Museologia das Memórias Traumáticas. Possui estágios profissionais em museus sobre as ditaduras na Argentina, Brasil e Chile. Na produção cultural brasileira cabe destaque seu trabalho na coordenação de pesquisas e consultoria em Sítios de memória e consciência da Paraíba e em São Paulo. Em 2018 fundou a Rede Brasileira de Pesquisadores de Sítios de Memória e Consciência-REBRAPESC e a coordena desde então. É criadora e apresentadora do podcast “Memoria para que” fruto da sua participação como catedrática do Calas Center na UFMG em 2023.
Deborah Neves (UNIFESP)
Coordenadora do Grupo de Trabalho Interinstitucional Memorial Doi-Codi desde 2018. Membro do ICOM-Brasil. Pesquisadora de Pós-Doutorado na Unifesp e bolsista Fapesp. Doutora em História pela Unicamp (2020), Mestre em História Social pela Universidade de São Paulo (2014), especialista em Investigación en História Reciente (Caicyt-Argentina, 2012), especialista em Gestão do Patrimônio Cultural pela UNIFAI (2011), Bacharel e Licenciada em História pela Universidade de São Paulo (2008). Atuou como historiadora da Unidade de Preservação do Patrimônio Histórico da Secretaria de Estado da Cultura de São Paulo, vinculada ao Condephaat (2010-2023).
Fernanda Mendonça Pitta (MAC-USP)
Professora Doutora da Divisão de Pesquisa em Arte, Teoria e Crítica do Museu de Arte Contemporânea da Universidade de São Paulo. É coordenadora da equipe Brasil do projeto de pesquisa Decay without mourning, future thinking heritage practices (Riksbankens Jubileumsfond GI21-0001, Pinacoteca e MAC-USP). Membro do Comitê Brasileiro de História da Arte (CBHA). Atua na área de história da arte, com ênfase na historiografia da arte no Brasil.
Historiadora da arte, foi curadora sênior da Pinacoteca de São Paulo entre 2014 e 2022. Realizou, entre outros projetos, a curadoria das exposições Trabalho de artista: imagem e autoimagem (1826-1929), Ninguém teria acreditado: Alvim Côrrea e 10 artistas contemporâneos e Eleonore Koch: espaço aberto. Atuou como coordenadora curatorial de Véxoa: nós sabemos, com curadoria de Naine Terena e como consultora da mostra Raio-que-o-parta: ficções do moderno no Brasil.
Flávia Brito do Nascimento (FAUD-USP / CPC-USP)
Professora Livre-Docente na Faculdade de Arquitetura e Urbanismo da Universidade de São Paulo, FAUUSP. Diretora do Centro de Preservação Cultural da USP – Casa de Dona Yayá e Conselheira suplente no Conselho Consultivo do Iphan. Historiadora pela Universidade Federal Fluminense (UFF, 1995), Arquiteta e Urbanista pela Universidade Federal do Rio de Janeiro (UFRJ, 2000), obteve os títulos de mestre (2004) e doutora em Arquitetura e Urbanismo pela USP (2011). Realizou pós-doutorado na Université Paris 1 Panthéon-Sorbonne (2019-2020). Foi arquiteta concursada do Iphan entre 2006 e 2013, diretora de Pesquisa do Inepac – Instituto Estadual do Patrimônio Cultural do Rio de Janeiro, e conselheira do Condephaat e Conpresp. Desenvolveu diversos estudos técnicos na área do patrimônio, dentre os quais se destacam a Paisagem Cultural do Vale do Ribeira e os tombamentos do Centro Histórico de Iguape e dos bens da imigração japonesa em Registro.É Bolsista Produtividade do CNPq, atualmente desenvolvendo pesquisa sobre os museus-casas de mulheres.
Gabi Dolff-Bonekämper (TU Berlim)
Historiadora de arte, professora de preservação de monumentos e patrimônio cultural urbano na TU Berlin de 2002-2021. De 1988 a 2002, conservador de monumentos em Berlim, participação ativa e contenciosa em debates sobre a avaliação e preservação de monumentos e edifícios modernistas do pós-guerra em Berlim Oriental e Ocidental. De 2001/02 Bolsista do Getty Conservation Institute em Los Angeles. De 2000 a 2011, foi membro do grupo de peritos sobre o património cultural europeu comum no Conselho da Europa. Porta-voz 2016-2021, desde 2021 continuou a ser membro do Grupo de Formação em Investigação da DFG “Identidade e Património”. Principais áreas de trabalho: valor dos monumentos e teoria do património cultural, política histórica, investigação da memória, arquitetura e história do desenvolvimento urbano da modernidade do pós-guerra na Europa.
Joana Mello
É docente do Departamento de História da Arquitetura e Estética do Projeto, grupo de disciplinas História e Teorias da Arquitetura e do Programa de Pós-Graduação em Arquitetura e Urbanismo da Faculdade de Arquitetura e Urbanismo da Universidade de São Paulo – FAUUSP. Possui graduação em Arquitetura e Urbanismo pela FAUUSP (1997), mestrado em Arquitetura e Urbanismo pelo Departamento de Arquitetura e Urbanismo da Escola de Engenharia de São Carlos da Universidade de São Paulo (2005), doutorado em História e Fundamentos da Arquitetura e do Urbanismo pela FAUUSP (2010) e pós-doutorado pelo Instituto de Filosofia e Ciência Humanas da Unicamp (2015). Lidera o Grupo de Pesquisa Arquivos, fontes e narrativas: entre cidade, arquitetura e design (CNPq). Bolsista Produtividade em Pesquisa CNPq/ PQ -2 (2020-2023) com experiência na área de História e Fundamentos de Arquitetura e Urbanismo modernos.
Leslé Honoré (Urban Gateways, Chicago)
Poetisa blaxicana, ativista e autora de Fist & Fire , uma coleção de poemas poderosos e inflexíveis que confrontam questões de justiça social através das lentes de vidas e vozes humanas reais, e mergulham nas chamas do amor dentro do contexto de um relacionamento. Em sua poesia e vida, ela trabalha para capacitar os jovens a encontrar suas vozes através das artes e inspirar as pessoas a se posicionarem nas lacunas que as desigualdades sociais, econômicas e raciais criam. Aprimorou ainda mais seu trabalho na Xavier University of Louisiana, onde estudou Literatura Inglesa e Espanhol. Foi uma palestrante em destaque no Tedx Grand Boulevard inaugural em 2020. Ela falou e leu seu trabalho em convenções e eventos da Fundação Obama, na Watermark Innovation Conference de 2020, no Elevated Chicago Symposium, na comemoração da 19ª Emenda da Cidade de Chicago, no MEXtalks de 2020 do Latino Progresando, no Speaking Anarcha’s Name da University of Illinois Chicago , na Mercantile Library (Cincinnati) e em eventos como a Silver Room Block Party e o National Period Day. Foi destaque no The New York Times , no Chicago Tribune, na WBEZ (NPR), no The Kendall Moore Show/WVON e em todos os principais canais de notícias da TV de Chicago.
Leo L. Hwang
Reitor Associado de Excelência Inclusiva e o Reitor Acadêmico Assistente da Faculdade de Ciências Naturais da Universidade de Massachusetts, Amherst. Pesquisa a ação participativa e desenvolvimento comunitário baseado em ativos como um modelo para aprimorar como nos envolvemos em trabalho de diversidade, equidade e inclusão.Obteve seu Ph.D. na Universidade de Massachusetts em Geociências com foco na utilização de pesquisa de ação participativa para entender melhor as diversas economias comunitárias de artistas e artesãos no Condado de Franklin, um MFA em escrita de ficção pela Universidade de Massachusetts em Amherst e seu BA em Inglês e Belas Artes pela Universidade do Sul.
Mandy Sanger (District Six Museum Cape Town)
Chefe de Educação do Museu do Distrito Seis, que representa um dos muitos locais urbanos de remoções forçadas do apartheid. O Museu fica na Cidade do Cabo, África do Sul, um país que reconhece abertamente seu passado racialmente segregado, onde as relações coloniais e de apartheid ainda estão impregnadas na sociedade. O espaço do Museu é vivo, dedicado a trabalhar com a memória para dar suporte à restituição. Seu trabalho envolve a criação de programas antirracismo com um componente prático para “reimaginar a cidade” repensando os espaços públicos por meio de uma pedagogia humanizadora.
Paulo Tavares (UnB)
Arquiteto e Urbanista pela Universidade Estadual de Campinas (2005), mestrado em Research Architecture pelo Goldsmiths College – University of London (2008) e doutorado em Research in Architecture pelo Goldsmiths College – University of London (2015). Tem pós doc pela FAU-USP (2017) e Goldsmiths (2019). É autor dos livros Memória da Terra (2020), Des-Habitat (2019) e Forest Law (2014). Tem experiência na área de arquitetura e urbanismo, culturas visuais e espaciais, direitos humanos, mídias e ecologia.
Renato Cymbalista (FAUD-USP/PRIP-USP)
Arquiteto e Urbanismo pela Faculdade de Arquitetura e Urbanismo da Universidade de São Paulo (1996), mestrado em Estruturas Ambientais Urbanas pela FAU-USP (2001) e doutorado em Estruturas Ambientais Urbanas pela FAU-USP (2006). Livre-Docente pelo Departamento de História da Arquitetura e Estética do Projeto da FAU-USP. Presidente do Instituto Pólis (desde 2012). Coordenador do grupo de pesquisa “Lugares de Memória e Consciência” (USP-CNPq). Fundador da Associação pela Propriedade Comunitária, gestora dos fundos FICA e FUA. Diretor de Direitos Humanos e Políticas de Memória, Justiça e Reparação da Pró-Reitoria de Inclusão e Pertencimento da USP (desde 2022).
Lectures by international experts on the themes of memory and reparation.
Renato Cymbalista é professor associado da FAU-USP. Coordena o grupo de epquisa “Lugares de Memória e Consciência” (USP/CNPq). Foi presidente do Instituto Pólis (2012-2021). Integra o Conselho Consultivo da Casa do Povo, o Conselho de Orientação Artística da Pinacoteca do Estado, o Conselho do Goethe Institute São Paulo. É um dos diretores da Associação pela Propriedade Comunitária. Integra o grupo de referência do Fundo Agroecológico.
Ana Lanna é professora do Departamento de História da Arquitetura e Estética do Projeto da Faculdade de Arquitetura e Urbanismo (FAU).
Graduada em Ciências Sociais pela Universidade Federal de Minas Gerais, Ana Lúcia possui mestrado em História pela Universidade Estadual de Campinas (Unicamp) e doutorado em História Social pela USP. Desenvolve pesquisas em temas como história das cidades, patrimônio cultural, arquitetura, história urbana e história social.
Além da pesquisa, a nova pró-reitora exerceu diversos cargos de gestão. Na USP, foi diretora do Centro de Preservação Cultural (CPC), do Instituto de Estudos Brasileiros (IEB) e da Faculdade de Arquitetura de Urbanismo. Também foi presidente do Conselho de Defesa do Patrimônio Histórico, Arqueológico, Artístico e Turístico do Estado de São Paulo (Condepahaat).
É professor da FAU-USP. Coordena o grupo de pesquisa “Lugares de Memória e Consciência”. Foi presidente do Instituto Pólis. Integra o Conselho Consultivo da Casa do Povo, o Conselho de Orientação Artística da Pinacoteca do Estado, o Conselho do Goethe Institute São Paulo. É um dos diretores da Associação pela Propriedade Comunitária. Integra o grupo de referência do Fundo sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.
É professor da FAU-USP. Coordena o grupo de pesquisa “Lugares de Memória e Consciência”. Foi presidente do Instituto Pólis. Integra o Conselho Consultivo da Casa do Povo, o Conselho de Orientação Artística da Pinacoteca do Estado, o Conselho do Goethe Institute São Paulo. É um dos diretores da Associação pela Propriedade Comunitária. Integra o grupo de referência do Fundo sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.
É professor da FAU-USP. Coordena o grupo de pesquisa “Lugares de Memória e Consciência”. Foi presidente do Instituto Pólis. Integra o Conselho Consultivo da Casa do Povo, o Conselho de Orientação Artística da Pinacoteca do Estado, o Conselho do Goethe Institute São Paulo. É um dos diretores da Associação pela Propriedade Comunitária. Integra o grupo de referência do Fundo sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.
É professor da FAU-USP. Coordena o grupo de pesquisa “Lugares de Memória e Consciência”. Foi presidente do Instituto Pólis. Integra o Conselho Consultivo da Casa do Povo, o Conselho de Orientação Artística da Pinacoteca do Estado, o Conselho do Goethe Institute São Paulo. É um dos diretores da Associação pela Propriedade Comunitária. Integra o grupo de referência do Fundo sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.
Lectures by international experts on the themes of memory and reparation.
É professor da FAU-USP. Coordena o grupo de pesquisa “Lugares de Memória e Consciência”. Foi presidente do Instituto Pólis. Integra o Conselho Consultivo da Casa do Povo, o Conselho de Orientação Artística da Pinacoteca do Estado, o Conselho do Goethe Institute São Paulo. É um dos diretores da Associação pela Propriedade Comunitária. Integra o grupo de referência do Fundo sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.
É professor da FAU-USP. Coordena o grupo de pesquisa “Lugares de Memória e Consciência”. Foi presidente do Instituto Pólis. Integra o Conselho Consultivo da Casa do Povo, o Conselho de Orientação Artística da Pinacoteca do Estado, o Conselho do Goethe Institute São Paulo. É um dos diretores da Associação pela Propriedade Comunitária. Integra o grupo de referência do Fundo sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.
É professor da FAU-USP. Coordena o grupo de pesquisa “Lugares de Memória e Consciência”. Foi presidente do Instituto Pólis. Integra o Conselho Consultivo da Casa do Povo, o Conselho de Orientação Artística da Pinacoteca do Estado, o Conselho do Goethe Institute São Paulo. É um dos diretores da Associação pela Propriedade Comunitária. Integra o grupo de referência do Fundo sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.
É professor da FAU-USP. Coordena o grupo de pesquisa “Lugares de Memória e Consciência”. Foi presidente do Instituto Pólis. Integra o Conselho Consultivo da Casa do Povo, o Conselho de Orientação Artística da Pinacoteca do Estado, o Conselho do Goethe Institute São Paulo. É um dos diretores da Associação pela Propriedade Comunitária. Integra o grupo de referência do Fundo sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.
É professor da FAU-USP. Coordena o grupo de pesquisa “Lugares de Memória e Consciência”. Foi presidente do Instituto Pólis. Integra o Conselho Consultivo da Casa do Povo, o Conselho de Orientação Artística da Pinacoteca do Estado, o Conselho do Goethe Institute São Paulo. É um dos diretores da Associação pela Propriedade Comunitária. Integra o grupo de referência do Fundo sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.
É professor da FAU-USP. Coordena o grupo de pesquisa “Lugares de Memória e Consciência”. Foi presidente do Instituto Pólis. Integra o Conselho Consultivo da Casa do Povo, o Conselho de Orientação Artística da Pinacoteca do Estado, o Conselho do Goethe Institute São Paulo. É um dos diretores da Associação pela Propriedade Comunitária. Integra o grupo de referência do Fundo sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.
São Paulo School of Advanced Science in
UNIVERSITY, MEMORY AND REPARATION
– Aline Montenegro (Museu Paulista)
– Ana Claudia Veiga de Castro
(FAUD-USP/Centro Maria Antônia)
– Ana Lúcia Duarte Lanna
(FAUD-USP / PRIP-USP)
– Ana Paula Brito (REBRAPESC)
– Deborah Neves (UNIFESP)
– Gabi Dolff Bonekamper (TU Berlim)
– Flávia Brito (FAUD-USP / CPC-USP)
– Paulo Tavares (UnB)
– Renato Cymbalista
(FAUD-USP / PRIP-USP)
– Mandy Sanger
(District Six Museum Cape Town)
– Leslé Honoré
(Urban Gateways, Chicago)
PARTNERS
